Hopes for next-gen BMPCC & URSA + thoughts on the BMPCC 6k & Ursa G2 - with feedback from Facebook

We've had over six months with our Blackmagic Design cinema cameras (after switching from RED DIGITAL CINEMA's sensational Scarlet-w). In this video I discuss what I love about both the URSA G2 and the Black Magic Pocket Cinema Camera 6k, what improvements (and features) I'd like to see in their next generation iteration as well as sharing community feedback from URSA and BMPCC Facebook group polls (most requested features and improvements). I discuss the Ursa first, then the BMPCC 6k - timestamps below so you can jump to what's relevant to you. My next video will be scripted... shock horror I know...

02:49 Ursa Mini Pro G2 Best Features / aspects
07:21 Ursa Mini Pro G2 Critiques / improvements and new feature requests
17:23 Ursa Mini Pro G2 Facebook Group Poll feedback
18:41 BMPCC 6k What I love
21:23 BMPCC What would I most want improved
27:53 BMPCC Facebook Group Poll results
29:24 Talking IBIS
31:32 Final thoughts

Shot on Fuji Xt3 with Fuji 16-55 at F4. Eterna color profile, no color grading at all

Blackmagic Raw Episode 1: Compression

In this episode 1 of 3 of our Blackmagic raw series we look at comparing the various compression flavours of blackmagic raw in the Ursa Mini Pro G2 (and the BMPCC 6k) to see if you can see the difference on YouTube in 4k from a 90+ GB 10bit Cineform file upload. 12:1, 8:1, 5:1 and 3:1 + Q5 and Q0. Which is best and for what situations?